{"id":384,"date":"2021-07-19T14:48:45","date_gmt":"2021-07-19T17:48:45","guid":{"rendered":"https:\/\/biblioteca2.facha.edu.br\/?page_id=384"},"modified":"2022-10-01T11:55:01","modified_gmt":"2022-10-01T14:55:01","slug":"revistas","status":"publish","type":"page","link":"https:\/\/biblioteca.facha.edu.br\/index.php\/revistas\/","title":{"rendered":"Revistas"},"content":{"rendered":"\n<!-- Beginning of Link Library Output --><div id='linklist1' class='linklist'><!-- Div Linklist -->\n<div class=\"LinkLibraryCat LinkLibraryCat32 level0\"><!-- Div Category --><div id=\"bd-cinema\"><!-- Div Category Name --><div class=\"linklistcatname\"><!-- Div Cat Name --><span class=\"linklistcatclass\">Base de Dados de Cinema<\/span><\/div><!-- DivOrHeader --><\/div><!-- Div Category Name -->\n\t<ul>\n<li><a href=\"https:\/\/www.gov.br\/ancine\/pt-br\/oca\" id=\"link-1719\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">ANCINE (AG\u00caNCIA NACIONAL DO CINEMA)<\/a><\/li>\n<li><a href=\"http:\/\/www.bcc.org.br\/\" id=\"link-1725\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BANCO DE CONTE\u00daDOS CULTURAIS (BCC)<\/a><\/li>\n<li><a href=\"http:\/\/www.investigacoescinema.ubi.pt\/\" id=\"link-1724\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BASE DE DADOS DE INVESTIGA\u00c7\u00d5ES CIENT\u00cdFICAS SOBRE CINEMA<\/a><\/li>\n<li><a href=\"http:\/\/cinecartaz.publico.pt\/\" id=\"link-1726\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">CINECARTAZ<\/a><\/li>\n<li><a href=\"https:\/\/cinemateca.org.br\/acervo\/base-de-dados\/\" id=\"link-1727\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">CINEMATECA BRASILEIRA<\/a><\/li>\n<li><a href=\"http:\/\/www.cinemateca.pt\/\" id=\"link-1728\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">CINEMATECA PORTUGUESA<\/a><\/li>\n<li><a href=\"http:\/\/aplauso.imprensaoficial.com.br\/novo.php\" id=\"link-1731\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">COLE\u00c7\u00c3O APLAUSO<\/a><\/li>\n<li><a href=\"http:\/\/www.ctav.gov.br\/links\/sites-de-cinema\/\" id=\"link-1732\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">CTAV \u2013 CENTRO T\u00c9CNICO DE AUDIO VISUAL<\/a><\/li>\n<li><a href=\"https:\/\/www.filmeb.com.br\/database2\/database20anos\/database20anos_index.php\" id=\"link-1733\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">DATABASE BRASIL<\/a><\/li>\n<li><a href=\"http:\/\/www.filmeb.com.br\/portal\/html\/portal.php\" id=\"link-1734\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">FILME B<\/a><\/li>\n<li><a href=\"https:\/\/basedosdados.org\/dataset\/6ba4745d-f131-4f8e-9e55-e8416199a6af?table=79de8c5e-9c21-4398-a9fb-bc40e6d6e77f\" id=\"link-1735\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">IMDB (INTERNET MOVIE DATABASE)<\/a><\/li>\n<li><a href=\"https:\/\/lumiere.obs.coe.int\/search\" id=\"link-1736\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">LUMIERE<\/a><\/li>\n<li><a href=\"https:\/\/lupa.uff.br\/catalogos\/\" id=\"link-1737\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">LUPA-UFF<\/a><\/li>\n<li><a href=\"https:\/\/riofilme.com.br\/observatorio-do-audiovisual-carioca\/\" id=\"link-1738\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">OBSERVAT\u00d3RIO DO AUDIOVISUAL CARIOCA<\/a><\/li>\n<li><a href=\"https:\/\/www.obs.coe.int\/en\/web\/observatoire\/\" id=\"link-1739\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">OBSERVAT\u00d3RIO EUROPEU DO AUDIOVISUAL<\/a><\/li>\n\t<\/ul>\n<\/div><!-- Div End Category -->\n<div class=\"LinkLibraryCat LinkLibraryCat34 level0\"><!-- Div Category --><div id=\"base-de-dados-de-jornalismo\"><!-- Div Category Name --><div class=\"linklistcatname\"><!-- Div Cat Name --><span class=\"linklistcatclass\">Base de Dados de Jornalismo<\/span><\/div><!-- DivOrHeader --><\/div><!-- Div Category Name -->\n\t<ul>\n<li><a href=\"https:\/\/abori.com.br\/\" id=\"link-1791\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">AG\u00caNCIA BORI<\/a><\/li>\n<li><a href=\"https:\/\/www.amazoniavox.com\/\" id=\"link-1792\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">AMAZ\u00d4NIA VOX<\/a><\/li>\n<li><a href=\"http:\/\/aplauso.imprensaoficial.com.br\/novo.php\" id=\"link-1793\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">COLE\u00c7\u00c3O APLAUSO<\/a><\/li>\n<li><a href=\"https:\/\/portalibre.fgv.br\/\" id=\"link-1794\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">FGV IBRE<\/a><\/li>\n<li><a href=\"https:\/\/www.carbonbrief.org\/global-south-climate-database\/\" id=\"link-1795\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">GLOBAL SOUTH CLIMATE DATABASE<\/a><\/li>\n<li><a href=\"https:\/\/www.guiademidia.com.br\/\" id=\"link-1796\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">GUIA DE M\u00cdDIA<\/a><\/li>\n<li><a href=\"https:\/\/portalintercom.org.br\/\" id=\"link-1797\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">INTERCOM<\/a><\/li>\n<li><a href=\"https:\/\/ipeadata.gov.br\/Default.aspx\" id=\"link-1798\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">IPEADATA<\/a><\/li>\n<li><a href=\"https:\/\/www.portcom.intercom.org.br\/index.php\" id=\"link-1800\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">PORTCOM<\/a><\/li>\n<li><a href=\"https:\/\/redecajueira.com.br\/\" id=\"link-1801\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">REDE CAJUEIRA<\/a><\/li>\n\t<\/ul>\n<\/div><!-- Div End Category -->\n<div class=\"LinkLibraryCat LinkLibraryCat37 level0\"><!-- Div Category --><div id=\"bases-de-dados-de-publicidade-e-propaganda\"><!-- Div Category Name --><div class=\"linklistcatname\"><!-- Div Cat Name --><span class=\"linklistcatclass\">Bases de Dados de Publicidade e Propaganda<\/span><\/div><!-- DivOrHeader --><\/div><!-- Div Category Name -->\n\t<ul>\n<li><a href=\"http:\/\/www.anpad.org.br\/\" id=\"link-2020\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">ANPAD<\/a><\/li>\n<li><a href=\"http:\/\/bdtd.ibict.br\/vufind\/\" id=\"link-2021\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BDTD<\/a><\/li>\n<li><a href=\"http:\/\/www.wdl.org\/pt\/\" id=\"link-2022\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BIBLIOTECA DIGITAL MUNDIAL<\/a><\/li>\n<li><a href=\"http:\/\/www.periodicos.capes.gov.br\/\" id=\"link-2023\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">CAPES<\/a><\/li>\n<li><a href=\"https:\/\/portalibre.fgv.br\/\" id=\"link-2015\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">FGV IBRE<\/a><\/li>\n<li><a href=\"https:\/\/www.guiademidia.com.br\/\" id=\"link-2016\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">GUIA DE M\u00cdDIA<\/a><\/li>\n<li><a href=\"https:\/\/portalintercom.org.br\/\" id=\"link-2017\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">INTERCOM<\/a><\/li>\n<li><a href=\"https:\/\/ipeadata.gov.br\/Default.aspx\" id=\"link-2018\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">IPEADATA<\/a><\/li>\n<li><a href=\"https:\/\/www.portcom.intercom.org.br\/index.php\" id=\"link-2019\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">PORTCOM<\/a><\/li>\n<li><a href=\"http:\/\/prossiga.ibict.br\/\" id=\"link-2024\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">PROSSIGA<\/a><\/li>\n<li><a href=\"http:\/\/www.scielo.br\/?lng=pt\" id=\"link-2025\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">SCIELO<\/a><\/li>\n\t<\/ul>\n<\/div><!-- Div End Category -->\n<div class=\"LinkLibraryCat LinkLibraryCat33 level0\"><!-- Div Category --><div id=\"e-books-de-acesso-livre\"><!-- Div Category Name --><div class=\"linklistcatname\"><!-- Div Cat Name --><span class=\"linklistcatclass\">E-books de Cinema<\/span><\/div><!-- DivOrHeader --><\/div><!-- Div Category Name -->\n\t<ul>\n<li><a href=\"https:\/\/repositorio.fgv.br\/server\/api\/core\/bitstreams\/3df3edc6-9a6f-486d-bff8-c1a717da24b4\/content\" id=\"link-1742\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BRANCO, S\u00e9rgio; PARANAGU\u00c1, Pedro. Direitos Culturais. Rio de Janeiro, FGV, 2009.<\/a><\/li>\n<li><a href=\"https:\/\/www2.senado.leg.br\/bdsf\/bitstream\/handle\/id\/514022\/001046267_Direitos_autorais_4ed.pdf?sequence=1&#038;isAllowed=y\" id=\"link-1743\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BRASIL. Direitos autorais: lei n\u00ba 9.610\/1998 e normas correlatas. 4. ed. Bras\u00edlia: Senado Federal, Coordena\u00e7\u00e3o de Edi\u00e7\u00f5es T\u00e9cnicas, 2015.<\/a><\/li>\n<li><a href=\"https:\/\/download.inep.gov.br\/publicacoes\/institucionais\/plano_nacional_de_educacao\/plano_nacional_de_educacao_pne_2014_2024_linha_de_base.pdf\" id=\"link-1744\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BRASIL. Instituto Nacional de Estudos e Pesquisas Educacionais An\u00edsio Teixeira. Plano Nacional de Educa\u00e7\u00e3o PNE 2014-2024 : Linha de Base. Bras\u00edlia, DF : Inep, 2015.<\/a><\/li>\n<li><a href=\"http:\/\/portal.mec.gov.br\/index.php?option=com_docman&#038;view=download&#038;alias=104251-rces007-18&#038;category_slug=dezembro-2018-pdf&#038;Itemid=30192\" id=\"link-1747\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">BRASIL. Minist\u00e9rio da Educa\u00e7\u00e3o. Conselho Nacional de Educa\u00e7\u00e3o. Resolu\u00e7\u00e3o n\u00ba 7, de 18 de dezembro de 2018. Estabelece as Diretrizes para a Extens\u00e3o na Educa\u00e7\u00e3o Superior Brasileira<\/a><\/li>\n<li><a href=\"https:\/\/ppgcom.uff.br\/wp-content\/uploads\/sites\/200\/2020\/03\/tese_mestrado_2015_marcio_elisio.pdf\" id=\"link-1748\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">C\u00c2MARA, M\u00e1rcio El\u00edsio Carneiro. O som direto no cinema brasileiro contempor\u00e2neo: entre a criatividade e a t\u00e9cnica. Orientador: Fernando Morais da Costa, Rio de Janeiro. 2015<\/a><\/li>\n<li><a href=\"http:\/\/www.feambra.org\/feambra_sys\/conteudo\/legislacao\/decreto-76905.pdf\" id=\"link-1749\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">CONVEN\u00c7\u00c3O DE BERNA. Decreto n\u00ba 76.905, de 24 de dezembro de 1975 \u2013 Conven\u00e7\u00e3o Universal sobre o Direito do Autor, Revis\u00e3o em Paris, 1971<\/a><\/li>\n<li><a href=\"https:\/\/www.exibidor.com.br\/noticias\/mercado\/14623-estudo-da-global-cinema-federation-destaca-que-maior-obstaculo-da-exibicao-e-a-ausencia-de-filmes-atrativos\" id=\"link-1750\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">EXIBIDOR (Site).  Estudo da Global Cinema Federation destaca que maior obst\u00e1culo da exibi\u00e7\u00e3o \u00e9 a aus\u00eancia de filmes atrativos. Por Yuri Codogno<\/a><\/li>\n<li><a href=\"https:\/\/americanfilmmarket.com\/what-types-of-low-budget-films-break-out\/\" id=\"link-1751\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">FOLLOWS, Stephen e NASH, Bruce. Quais sa\u0303o os tipos de filmes de baixo orc\u0327amento despontam?. 2017<\/a><\/li>\n<li><a href=\"https:\/\/www.academia.edu\/420392\/Cole%C3%A7%C3%A3o_Cadernos_De_Pesquisa\" id=\"link-1752\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">GATTI, Andr\u00e9 Piero. Cinema Brasileiro em Ritmo de indu\u0301stria (1969- 1990). S\u00e3o Paulo: Centro Cultural S\u00e3o Paulo, 1999.<\/a><\/li>\n<li><a href=\"https:\/\/repositorio.unicamp.br\/acervo\/detalhe\/360513\" id=\"link-1753\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">GATTI, Andr\u00e9 Piero. Distribui\u00e7\u00e3o e exibi\u00e7\u00e3o na ind\u00fastria cinematogr\u00e1fica brasileira (1993-2003). 357 f. Tese (Doutorado)<\/a><\/li>\n<li><a href=\"https:\/\/chuva-inc.github.io\/compos-static-files\/teses-e-dissertacoes\/35c749fc820edb3133386ddd477cea06.pdf\" id=\"link-1824\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">GUTMANN, Juliana Freire. Formas do telejornal: um estudo das articula\u00e7\u00f5es entre valores jornal\u00edsticos e linguagem televisiva<\/a><\/li>\n<li><a href=\"https:\/\/bibliotecas.sebrae.com.br\/chronus\/ARQUIVOS_CHRONUS\/bds\/bds.nsf\/c8eebfc3de414784adab9ee613102045\/$File\/7674.pdf\" id=\"link-1754\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">KUPSTAS, Igor. Distribui\u00e7\u00e3o. M\u00f3dulo 3. S\u00e3o Paulo: APRO, 2015.<\/a><\/li>\n<li><a href=\"https:\/\/unesdoc.unesco.org\/ark:\/48223\/pf0000154587\" id=\"link-1755\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">LOPES, Maria Auxiliadora;  BRAGA, Maria L\u00facia de Santana (Org.). Acesso e perman\u00eancia da popula\u00e7\u00e3o negra no ensino superior. \u2013 Bras\u00edlia : Minist\u00e9rio da Educa\u00e7\u00e3o<\/a><\/li>\n<li><a href=\"http:\/\/eduardomagrani.com\/trilogiaculturadigital\/\" id=\"link-1756\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">MAGRANI, Eduardo. Trilogia da cultura digital. Site.<\/a><\/li>\n<li><a href=\"https:\/\/www.cena.ufscar.br\/wp-content\/uploads\/2021\/02\/Vol.-II-Meleiro-Alessandra-Org..-Cinema-e-Economia-Pol%C3%ADtica.pdf\" id=\"link-1757\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">MELEIRO, Alessandra (Org.). Cinema e Economia Poli\u0301tica. Ind\u00fastria Cinematogr\u00e1fica e Audiovisual Brasileira.<\/a><\/li>\n<li><a href=\"https:\/\/www.oabrj.org.br\/arquivos\/files\/CDADIE_guia_do_produtor_audiovisual_final_web.pdf\" id=\"link-1758\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">OABRJ \u2013 ORDEM DOS ADVOGADOS DO BRASIL-RIO DE JANEIRO. Comissa\u0303o de Direitos Autorais, Direitos Imateriais e Entretenimento. Guia do produtor audiovisual.<\/a><\/li>\n<li><a href=\"https:\/\/bndigital.bn.gov.br\/artigos\/o-cinema-brasileiro-em-periodicos-1896-1930\/\" id=\"link-1759\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">PEREZ, Eliane. O cinema brasileiro em peri\u00f3dicos: 1896 \u2013 1930. An. Bibl. Nac., Rio de Janeiro, vol. 122, p. 291-338, 2002.<\/a><\/li>\n<li><a href=\"https:\/\/www.teses.usp.br\/teses\/disponiveis\/27\/27153\/tde-26102010-104955\/publico\/70635.pdf\" id=\"link-1760\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">SOUZA, Carlos Roberto Rodrigues de. A cinemateca brasileira e a preserva\u00e7\u00e3o de filmes no Brasil. 2009. Tese (Doutorado em Estudo dos Meios e da Produ\u00e7\u00e3o Medi\u00e1tica)<\/a><\/li>\n<li><a href=\"http:\/\/www.livrosabertos.sibi.usp.br\/portaldelivrosUSP\/catalog\/book\/133\" id=\"link-1761\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">VIANA, Fausto; MOURA, Carolina Bassi de (Orgs). Dos bastidores eu vejo o mundo: cenografia, figurino, maquiagem e mais<\/a><\/li>\n\t<\/ul>\n<\/div><!-- Div End Category -->\n<div class=\"LinkLibraryCat LinkLibraryCat35 level0\"><!-- Div Category --><div id=\"e-books-de-jornalismo\"><!-- Div Category Name --><div class=\"linklistcatname\"><!-- Div Cat Name --><span class=\"linklistcatclass\">E-books de Jornalismo<\/span><\/div><!-- DivOrHeader --><\/div><!-- Div Category Name -->\n\t<ul>\n<li><a href=\"http:\/\/aplauso.imprensaoficial.com.br\/novo.php\" id=\"link-1981\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">COLE\u00c7\u00c3O APLAUSO<\/a><\/li>\n<li><a href=\"https:\/\/repositorio.unb.br\/bitstream\/10482\/38251\/1\/2019_BrunaCunhaMastrella.pdf\" id=\"link-1825\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">COLE\u00c7\u00c3O MASTRELLA, Bruna Cunha. Os discursos de legitima\u00e7\u00e3o do jornalismo guiado por dados. 2019, 233 f., il. Disserta\u00e7\u00e3o<\/a><\/li>\n<li><a href=\"http:\/\/portal.mec.gov.br\/index.php?option=com_docman&#038;view=download&#038;alias=104251-rces007-18&#038;category_slug=dezembro-2018-pdf&#038;Itemid=30192\" id=\"link-1820\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">Conselho Nacional de Educa\u00e7\u00e3o. Resolu\u00e7\u00e3o n\u00ba 7, de 18 de dezembro de 2018<\/a><\/li>\n<li><a href=\"https:\/\/revistas.ufrj.br\/index.php\/dilemas\/article\/view\/40294\" id=\"link-1821\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">DANTAS. R. Viol\u00eancia e vulnerabilidades urbanas: teoria da ambi\u00eancia restritiva.<\/a><\/li>\n<li><a href=\"https:\/\/academico.facha.edu.br\/pdf\/monografias\/20141650.pdf\" id=\"link-1828\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">FERNANDES, Bruno Uz\u00eada Silva. Jornalismo de dados no combate \u00e0 desinforma\u00e7\u00e3o. 2018. 52 f. Monografia<\/a><\/li>\n<li><a href=\"https:\/\/lume.ufrgs.br\/bitstream\/handle\/10183\/172614\/001060430.pdf?sequence=1&#038;isAllowed=y\" id=\"link-1829\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">GEHRKE, Marilia. O uso de fontes documentais no jornalismo guiado por dados. Disserta\u00e7\u00e3o (Mestrado), UFRGS<\/a><\/li>\n<li><a href=\"https:\/\/repositorio.ufsc.br\/xmlui\/bitstream\/handle\/123456789\/168042\/340734.pdf?sequence=1&#038;isAllowed=y\" id=\"link-1826\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">MEDEIROS, Anna Barbara. A reportagem com base na extra\u00e7\u00e3o, an\u00e1lise e visualiza\u00e7\u00e3o de dados. Disserta\u00e7\u00e3o (mestrado)<\/a><\/li>\n<li><a href=\"http:\/\/repositorio.utfpr.edu.br\/jspui\/handle\/1\/1897\" id=\"link-1827\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">PERUYERA, Matias Sebasti\u00e3o. Usos e apropria\u00e7\u00f5es de tecnologias no cotidiano do jornalismo guiado por dados. 2015. 207 f. Disserta\u00e7\u00e3o (Mestrado em Tecnologia)<\/a><\/li>\n<li><a href=\"https:\/\/download.inep.gov.br\/publicacoes\/institucionais\/plano_nacional_de_educacao\/plano_nacional_de_educacao_pne_2014_2024_linha_de_base.pdf\" id=\"link-1818\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">Plano Nacional de Educa\u00e7\u00e3o PNE 2014-2024<\/a><\/li>\n\t<\/ul>\n<\/div><!-- Div End Category -->\n<div class=\"LinkLibraryCat LinkLibraryCat36 level0\"><!-- Div Category --><div id=\"e-books-de-publicidade-e-propaganda\"><!-- Div Category Name --><div class=\"linklistcatname\"><!-- Div Cat Name --><span class=\"linklistcatclass\">E-books de Publicidade e Propaganda<\/span><\/div><!-- DivOrHeader --><\/div><!-- Div Category Name -->\n\t<ul>\n<li><a href=\"https:\/\/www.abap.org.br\/\" id=\"link-2000\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">ABAP &#8211; Associa\u00e7\u00e3o Brasileira de Ag\u00eancias de Publicidade. Guia de boas pr\u00e1ticas para ag\u00eancias de publicidade.<\/a><\/li>\n<li><a href=\"https:\/\/leoamato.com\/wp-content\/uploads\/2020\/06\/Ebook_CRIA_EconomiaCriativa_2020.pdf\" id=\"link-2001\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">AMATO, Leonardo (Org.); MOTA, Graziela Borguignon (Org.). Os novos olhares para a economia criativa.<\/a><\/li>\n<li><a href=\"https:\/\/leoamato.com\/wp-content\/uploads\/2022\/05\/Ebook_2_CRIA_TerritoriosCriativos_2022.pdf\" id=\"link-2002\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">AMATO, Leonardo (Org.). Territ\u00f3rios criativos: cidades, criatividade &#038; cultura<\/a><\/li>\n<li><a href=\"https:\/\/www.conar.org.br\/\" id=\"link-2003\" class=\"track_this_link \" rel=\"noopener noreferrer\" target=\"_blank\">CONAR &#8211; Conselho Nacional de Autorregulamenta\u00e7\u00e3o Publicit\u00e1ria. 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